not so far, far, away

Big Bertha 5×7 Graflex with 36 inch lens at Spring 2006 Fair

Toronto. I took this shot a couple of decades ago at our Fair in 2006. Along with cameras, I collected lenses, books, brochures, etc, that offered information on the history of photography.

I imagine other camera collectors collect lenses too, sometimes special lenses suitable for wide angles like the old Protar line, and others of the telephoto persuasion.

This monster combination was used to capture close-ups of participants in sporting events. Others used these specialty lenses for wild animal  photography. The photo at left was shot at our Spring Fair in 2006. Shown is M. Renaud Therrien of Montreal with his c1930 Graflex “Big Bertha”. The camera takes 5×7 plates and has a 36 inch f/6.3 telephoto lens attached.

These newer lenses are ‘future’ collectibles – and now that we are well into the digital era, the film camera and telephotos like this example are/are about to become collectibles.

Add these lenses or other interesting items to your collection by attending our 2026 events. For example, our Spring Fair is set for May 24th at the Trident Hall in southwest Toronto. As we get closer to the date, I will pin a poster and details to the top of this web site.

 

 

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another use for paper …

The Warnerke roll (paper) film holder in a camera

Toronto. The idea of roll film revitalized the use of sensitized paper (negatives). In fact various roll film mechanisms were developed to use the medium in cameras. An example is the Warnerke Roll Film Holder.

Editor Robert Lansdale wrote about this use of paper in his issue 27-1 article “Advance of the Paper negative …and the roll film holder”.

He begins his article, “The use of paper as a base for negative images has played an important part throughout the history of photography. At photography’s inception, Fox Talbot’s Photographic Drawing of 1834 captured the shadow image of plants and ferns within the body of the paper, while his Calotype of 1840 became the system to produce multiple positive prints from the prime paper negative.

“Criticism against fuzziness and lack of detail caused by the inherent grain of the paper led to the idea of waxing the paper before an open fire to induce translucence to the fibers. Le Gray’s Waxed Paper process of 1851 prepped the paper with wax before sensitizing.

“Glass as a base became desirable with its clarity and stability: albumen became the carrier to the sensitive silver salts. With Scott Archer’s discovery of collodion as the carrier in 1851, all systems were quickly eclipsed by the Ambrotype and Wet Plate Process. The wet plate reigned supreme for some 20+ years due to its fine grain and greater speed. Other improvements were introduced in 1864 with the invention of collodion-emulsion by Sayce and Bolton, thus doing away with the necessity of the silver bath, while Dr. Maddox in 1871 substituted gelatin for collodion in emulsions, leading to the Dry Plate era.

“But devotees to the paper negative were still present. William J. Cox in the 1886 BJP Almanac expounded its virtues in ‘Paper Films Versus Glass Plates.’

“He listed benefits as:
storage of negatives – 250 films equalled one inch of thickness of glass;
weight – two gross of paper negatives weighed less than one dozen glass;
freedom from breakage – accidents could happen even while in printing frames;
freedom from halation – it cannot occur, thus leaves and boughs against a bright sky are microscopically sharp;
increased speed – nearly twice as fast;
cost – half the price of glass and even less on larger sizes;
celerity of development – many paper negatives may be processed in a dish at the same time;
even coating – paper is pliable thus a more even coating can be obtained than on ordinary glass, and as paper can be applied to a curved surface, lenses of greater curvature of field may be employed; etc.”

Members read all of editor Lansdale’s well illustrated article in the issue 27-1 pdf file on the free members-only DVD/thumb drive. Not yet a member? Joining is a snap. Just follow “Membership” above and at right. Send any questions to member@phsc.ca.

And also, you may find these strange holders or other interesting items at our 2026 events.  Our Spring Fair is one such event and is set for May 24th at Trident Hall. As we get closer to the date, a poster and details will be pinned to the top of this site.

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a DAR mystery train

DAR Mystery Train

Toronto. Collectors of old images sometimes concentrate on transportation photos, or have a subset of their collection comprising of transportation/train photos. Here is a mystery you perhaps can solve.

Jeff Ward in Halifax dropped me a line the other day about a cutting he discovered in the old “Times-Transcript” for August 23, 1913. In further research  He found a link to a wiki on the DAR.

Jeff writes, “I noticed the attached ad in a Moncton newspaper (The Times-Transcript) from 1913, mentioning a CPR Photo Car. I wonder if you would be interested in posting it to your blog to see if anybody knows anything about it?

“I was also given a link to a record which suggests the vehicle was rebuilt in 1920. Here is the link” to the DAR home page.

I sent out Jeff’s request to some other members to give some broader access. By the way, collectors of old images may find some to their liking at our 2026 events such as the Spring Fair coming up on May 24th. As the date approaches I will pin a poster and details to the top of this web site.

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flying off the shelf …

Land’s first Polaroid – the model 95. Photo under the Creative Commons CC0 1.0 Universal Public Domain Dedication Copyright (Wikipedia)

Toronto. … Like a bat out of hell. In late 1948, Edwin Land dropped a bombshell on the photographic world.  He put to market a revolutionary camera and film system that took a monochrome photo and developed the positive print within the camera in 60 seconds.

Such speedy processing was unheard of before digital technology. Land delivered his first batch of cameras and film to a local Boston department store thinking he would have lots of time to manufacture the next batch. However; the first batch literally flew off the shelf, selling out in the first day!

My friend Bill Belier worked for the Canadian distributor. He had the same experience – deliveries from Land couldn’t keep pace with sales. Ironically today (2026) the famous Polaroid cameras have little value to collectors, usually selling for under $100.

Visit our events and you may find the odd Polaroid (everyone needs an SX-70 in their collection) or other interesting item for your collection of photographica. Our Spring Fair is set for May 24th at Trident Hall. Closer to the event a poster will be pinned to the top of page one on this site.

NB: This post was brought to mind by Meatloaf’s title song on his first album, “Bat Out of Hell“.

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top ‘o the mornin’ to ya

an old brass lens – part of a swap across the Atlantic

Toronto. As we near St Pattie’s day, this is a suitable post. It is based on a follow up article titled “A SECOND LOOK …”. Editor Lansdale expands on photographer John Turner reporting a lens swap between Dr Mike Robinson and Seán MacKenna of London, England.

This swap returned to Toronto a lens used by Irishman John Turner when he emigrated to the big smoke to create studio portraits. The lens has an added signature, “J.G. Turner, Toronto, March 17, 1859.”

Mike, Mr Graham Garrett and Seán did further research on Turner and the lens.

Editor Lansdale begins his report, “For a further development of the Turner story we turn to [Dr] Mike Robinson of Century Darkroom in Toronto. He lectures on the daguerreian and ambrotype processes at Ryerson University [now TMU] as well as the George Eastman House in Rochester.

“Seán MacKenna of London, England read about Mike making daguerreotypes in Toronto so e-mailed him hoping to gain information about an early Toronto image maker.” …

Members read all of this brief article in the issue 26-5 pdf on the free members-only DVD/thumb drive and discovered the roles played by the trio of researchers. You can easily join by following ‘Membership’ above and at right. Address any questions to member@phsc.ca.

 

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a different Montreal studio

corner of Craig & Bleury, Montreal during the 1886 flood

Toronto. We have all heard about the famous Notman studio on Bleury in Montreal. Here is another studio on the corner of Bleury and Craig.

This is the Summerhayes & Walford studio on second and third floors of the building.

Editor Lansdale had a fondness for Canadian photographic history and as such he diligently researched any and all leads. He was well aware that Canadian enterprise in this as in many other businesses was over shadowed by the mighty UK, European and especially American operations.

He wrote his findings on this studio in issue 27-1 under the title “A Letter from Montreal …”. The article is highlighted by this précis: “Several years ago I was attracted to a photograph in the pages of The Beaver. It showed the 1886 flooding of Montreal with floating wooden sidewalks at Craig and Bleury streets. At this corner Summerhayes & Walford had their photographic studio for many years in the late nineteenth century.

“Dr. Wallace F. Walford of Perth, Ontario sent in the photo and is a grandson of Alfred Gradham Walford who operated the studio with his brother-in-law Robert Summerhayes. They eventually sold out to Notman and Sons. Dr. Walford noted that the bowler-hatted man in the foreground was ‘Dad’s brother – Fred Walford.’

“My appeal to The Beaver for more information produced a reply from Dr. Walford with an accompanying hand written letter on lined yellow foolscap, dated: March 13th 1950. It was a letter from Alfred G.S. Walford to his son Ernest Walford (Maj. Gen. A.E. Walford MM. ED., C.B.E.). I found the correspondence fascinating on aspects of Canadian photographic history. – editor R.L.”

Read all of this tale and see the photos in the issue 27-1 pdf on the free members-only DVD/thumb drive. See the top and right under ‘Membership’ to join. Address any questions to member@phsc.ca.

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fairs past, fairs present

Univex Mercury 35mm camera from the Spring Fair in 2001

Toronto. Our spring fair a quarter century ago, was held just north of the city in the Soccer Centre. Mark Singer added a free bus service from the TTC subway for the convenience of  some attendees.

The centre also offered lots of free parking. The fair was well attended. We were searching for a better venue and moved up to Markham as one of our members was prominent in the Soccer Centre at that time.

In issue 27-1. there are two pages of items and scenes at the fair as photographed and written  by editor Lansdale. One of his many choices shown above left was an American Univex Mercury camera with its unusual shape.

Our current Spring Fair (2026) is set for May 24th down at Trident Hall (Islington and Evans) in southwest Toronto. The Hall has easier access via TTC and free parking in the area. As we approach the date, a poster and details will be pinned to this web site.

 

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remembering Boris ..

Boris Spremo c2001 by Robert Lansdale

Toronto. A PHSC speaker and member, Boris first spoke at our March 2001 meeting. I did a memorial post when Boris died in August, 2017 at 81 years of age. At the time he was writing a book of his adventures and photos, since completed by his children.

A lengthy article was written by editor Lansdale in issue 27-1. It begins, “Boris Spremo was an energetic news photographer. It all started in his homeland of Yugoslavia where Boris was fascinated by his cousin’s cameras. He pestered his father so much that a Zeiss folder was finally acquired in a local flea market.

“That was for his thirteenth birthday and it led him to cover high school sports and social events before taking formal training at the Belgrade Cinematographic Institute.

“Mr. Spremo immigrated to Canada in 1957, accepting his first job as a dishwasher in the basement of Toronto’s Royal York Hotel. Delivery boy, tobacco picker, a miner at Elliot Lake, all were interim jobs while he learned the English language.

“He finally landed a job as a darkroom technician. Three months on a tobacco farm netted him $310.00 with which he purchased a 4×5 Busch Pressman and electronic flash. That enabled him to do week-end weddings for a studio, being paid $15.00 each – sometimes three in a day.

“Luck was with Boris when he covered a soccer game that turned into a riot. With only five sheets of film he got two good game-action photos and three riot shots. These served to introduce him to the Globe and Mail and within six months he was hired as a staff photographer.” …

Members read all of the lengthy illustrated article in the issue 27-1 pdf file on the free members-only DVD/thumb drive. Send any questions to member@phsc.ca. Not a member? Joining is a snap! See ‘Membership’ above or at right.

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seen any ‘lizards’ recently?

a rare Lizar camera c1902 – Challenge Dayspool No. 1

Toronto. Most of our event offerings are either German or North American. Occasionally we see English products. Rarely do we see Scottish cameras.

The remarkable camera in Bill Belier’s issue 27-1 column is a rare Lizars (not lizard) from Scotland. The camera is made  by J. Lizars in Glasgow, Scotland.

Bill begins his article, “One of the most collectable of the early folding roll film bellows cameras would have to be the Challenge Dayspool No. 1 (circa 1902) manufactured by J. Lizars of Glasgow, Scotland.

“This exquisite instrument is a joy to behold for it reflects the fine craftsmanship and attention to detail so much admired and associated with the British cabinet makers’ guild of that era.

“As I prepare this article, I have before me just such a camera… a treasure from the collection of a PHSC charter member and our founding President, John Linsky.

“A Lizars camera had been on his “want list” for some time and I remember being just as delighted as he was when he called some time ago to announce… ‘Hey, guess what?… I just got a Lizars through a friend of mine right here in Toronto!’” …

Members read all of Bill’s column in the issue 27-1 pdf file on the free members-only DVD/memory stick. See ‘Membership’ above and at right to join. Email questions to member@phsc.ca.

There may be a rare camera like this one in one of our 2026 events. The Spring Fair will take place May 24, 2026 at the Trident Hall in the southwest end of Toronto. A poster and details will be pinned here closer to the event.

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everything old is new again

digital portrait of a new baby adjacent to a century plus old head rest

Toronto. There is a saying that there is nothing new under the sun.

As a kid, I made a radio with a tiny bit of ‘fools gold’ (iron pyrite) and a thin copper wire ‘cat’s whisker’. This rustic semi-conductor radio wave detector was superseded by vacuum tubes which years late were succeeded by transistors (semi-conductors), in turn replaced by integrated circuits with tens of transistors and eventually millions of them (semi-conductors one and all)!

In 1839, Louise Daguerre announced his Daguerreotype process. It too was superseded by faster, wider spectrum solutions applied to paper, plates of glass, then to film, to be superseded by digital technology. This prompted some enthusiasts like Dr Mike Robinson (past president of the PHSC) to revert to the old processes with a modern twist.

Dr Robinson took the phot0 above with a digital camera, and later used a Daguerreotype camera and processed the image accordingly. What goes around, comes around.

The digital shot was used for the cover of the PHSC Journal issue 27-1.  Describing the photograph, editor Bob Lansdale writes, “[Then] PHSC Vice President, Mike Robinson, was quick to announce the arrival of his daughter Grania Grace Christie Robinson on the 26th of March, 2001 with a photographic announcement card.

“In the pattern of his Century Darkroom where he teaches daguerreotype and ambrotype processes, he created this setting with a 19th century headrest supporting a modern mobile seat.

“The thought-provoking digital image has since been circling the globe via internet. The young lady also held still for 14 seconds while Mike exposed a daguerreotype portrait.”

While you might not find such a charming baby photo at our events, you are sure to fine an item that is irresistible to you. Our spring fair is set for May 24th. Details will be pinned to this site as we near the fair date.

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